The work of Inês Miguel Oliveira broods about the poetry of the mundane, the fragmentary nature of existence, the momentary, and the narrative found in the exercise of self-analysis. The intimacy of her works unveils itself through the small fragments that inhabit the surfaces of her paintings. The characters, objects, works, and paint – all those signs of a happening that coexist in the canvas – mark the time of dialogue between artist and work, reporting accidents and frustrations, conversations heard or wished for.